Wednesday 26 February 2020

Review of Collateral’s Eponymous Debut Album


Collateral is a fusion of subtly-different Rock genres, rather than a fusion of Rock with anything that isn’t Rock. This at a time when many in the music industry are busy trying to promote other things. Quite uncowelled, the lads have decided to give the Rock-loving public what they want rather than what the hidden hand of market manipulation thinks they should have and I can see this being very successful.

Most of the tracks are new, but “Midnight Queen” is included, having been previously internationally successful as a single and I think it’s likely to not only remain a favourite with the band’s existing fans, but go on to make new fans as this album succeeds.

The new tracks deserve more than one hearing before you make up your mind about them: give that mind of yours a chance to cue into what’s actually going on and you’ll like them too! A good album from a band that are determined to make their own luck.

It is available from the official website, many online retailers and hopefully the surviving High Street ones as well.

Monday 24 February 2020

Book Review of "The Paris Library" by Janet Skeslien Charles


This is an historical novel, about Paris just before and during WW2 and Eastern Montana in the Cold War of the eighties. It’s a shock for a reader of my generation to realise that, in 2020, not just children, but parents of children, probably do need to know what the early to mid eighties were like. There are both similarities and differences in the two threads, of course: Paris was occupied by the NAZIs, but the thousand nuclear missiles buried in the American plains never flew and Soviet Communism turned out to contain the seeds of its own destruction. The Montana characters are geographically isolated, those in Paris are isolated by their circumstances and their (fully justified) fear of letting anyone know just what those circumstances are.

Lily, a Montanan teenager is fascinated to learn about the Paris that her new friend, Odile (older than Lily’s parents) knew, even though it was Paris in her darkest hour. It all sounds so chic, if not “cool” that she wonders why Odile ever left and that’s not a tale that Odile wants to tell. The central message of this book is that everyone has something they’d prefer others not to know and it’s essential to respect this.

The author does a good job of portraying escalating oppression and declining nutrition in occupied Paris, without pretending that Parisians knew about everything that was going on elsewhere in Occupied France, let alone the rest of Europe. The NAZIs kept everyone in the dark, unless there was a news story which would take spin, in which case it was put on posters everywhere in Paris.

She also does a good job of showing how important “Crow Letters”, anonymous letters denouncing people to the French police or even directly to the NAZIs, were in that oppression. {It is beyond the scope of this book, of course, but in Germany the NAZIs made a rod for their own backs by offering a reward of 1,000 Reichsmarks to anyone who denounced neighbours or even relatives to the Gestapo. By early 1944, the Gestapo was fully aware (there were memos about it) that most of the people they were arresting were good Germans denounced out of spite, but to stop doing it, or to stop paying out the bounty, would have been to admit that the NAZIs were fallible and had perpetrated a great injustice, so it continued. The 610 Office in Communist China may have the same regrets, one day.} She also shows us that immediately upon being liberated, some Parisians behaved as vindictively towards anyone thought to have been friendly to the occupiers, as the writers of the Crow Letters had been to their neighbours. Almost certainly, none of the Crow Letter writers were amongst those publicly punished after the liberation, because nobody knew who they were: they went for the women who’d had babies instead.

This is a very well-researched book and I have only two gripes:
French characters refer to the Germans as “Krauts” even before America enters the war, and I wonder how accurate this is? Also, the lethally-poor treatment of captured French soldiers forced to do manual labour in Germany, is put down to the Germans not caring whether they lived or died. In fact the Germans did care about this issue: Heinrich Himmler’s official policy on forced labour was called “death through exhaustion.” The slaves were meant to die and the only reason why fewer French prisoners died than Russian or Polish ones was that the Germans needed the French economy to go on working as long as the occupation lasted, and that meant letting the working population still in France believe that their loved ones might one day come back safely. Had the Germans won, this would not have happened.

“The Paris Library” is published by John Murray Press on the 2nd of June 2020.

Tuesday 4 February 2020

Book Review of “The Ninth Child” by Sally Magnusson


This novel, set in mid 19th century Scotland and the Isle of Wight, is an absorbing tale of stalking and child-theft in a landscape where myth and superstition are never far away from becoming reality, even as technological progress improves the lot of mankind. The author does not flinch from showing the reader either the dangers of civil engineering, as far as the Navvies are concerned, or the utterly dreadful, disease-ridden conditions in the city of Glasgow which an unprecedented civil engineering project is designed to address. Men do difficult and dangerous work, because it is needed desperately.

Where the author finds fault with the ethos of the age where many such improvements are made, is that women were not supposed to play much of a part in the enterprise. The preview of this work said that it was a great age for innovation but a bad time to be a woman. In fact, The Ninth Child shows us that the mid 19th century was the time when even that began to change. There are some scenes involving Queen Victoria and it would be quite impossible to write an accurate portrait of the changing role of women in 19th century Britain that did not refer to her! But the author shows us other, strong-willed Victorian women as well, both high and low.

This is a thriller, too, and it keeps up the tension until the end. Well told -and the author chooses the tensest part of the drama to show us why there is no word for “manana” in Gaelic, because there is no need for such indecent haste. 

The Ninth Child is published by  John Murray Press (Two Roads) on the 19th of March 2020.

It is available from Amazon, Waterstones and other retailers.