* * * * *
Historical novel in
which an Irish Priest seeks to outwit a senior NAZI official with a
fascination for the Roman Emperor Caligula.
(This review is
based on a free review copy from the publisher via Net Galley UK.)
This sort of thing,
which fictionalises real events and real people, using their real
names, needs to be done with care and in this novel it is. The
subject matter has been covered before, but not as well, and most
treatments keep well away from the way that the NAZI official, Paul
Hauptmann, placed in charge of Rome when the NAZI’s occupied it in
late summer 1943, turned a museum dedicated to archaeological
discoveries connected to the Roman Emperor Caligula into his own
private palace, guarded by crack troops and indeed minefields. The
author of this novel does not give the issue undue prominence, but he
doesn’t let the reader escape knowing that there were two important
mirrors in the story:
Hauptmann and the
Pope both had private enclaves guarded by private armies, which they
tried to hold inviolable. And the struggle between the Irish priest,
Hugh O’Flaherty and Hauptmann in Rome and the Vatican City in the
modern age could be read as a re-enactment of the relationship
between the early Christian Church and Caligula, who wasn’t the
only Roman Emperor to resemble the Antichrist but he could have won
handsome prizes for doing so, were any to be handed out.
This isn’t
prominent enough in the plot to trouble the atheistic reader in the
slightest and it enhances, rather than distracts from the adventure
inherent in a good man and his loyal friends taking on a very
powerful man who isn’t even friends with his own wife and children
and is friends with his Fuhrer only in his dreams. This is an
adversary who personifies evil by standing alone, but O’Flaherty
and his friends simply serve good and certainly don’t presume to
personify it.
The author is well
equipped to put a lot of interesting language in the mouths of his
Irish characters: “rats you could saddle” and “drunk as a
boiled owl” do tend to stick in the memory, but his English
characters are as good and the Italian ones nearly so.
It is all about an
escape line for prisoners of war who managed to slip out of their
prison camps, but this only comes about because O’Flaherty is
forbidden, by the Pope himself, from interfering in the inhuman way
those prisons were run. That prohibition stems from the Pope’s fear
that, if provoked, the NAZIs will indeed return Rome and the Vatican:
the heart of Christianity as the Pope sees it, to the days of
Caligula or Nero and the reign of the beast. The rift between the
Pope and O’Flaherty, who recognises the Pope’s authority and
understands his reasoning, comes about because O’Flaherty realises,
especially after his first personal encounter with Hauptmann, that
the man does not need to be provoked before he will commit the most
appalling crimes!
The title comes from
the promise which Jesus made to his disciples “in my Father’s house,
there are many rooms” (in some translations it is “mansions”
rather than rooms). The Vatican City, where O’Flaherty hides his
escapees and his own activities, is a vast, crumbling and untidy
collection of forgotten rooms and passages crammed into a very small
geographical space. Hauptmann’s own private Arcadia is tidy,
uncluttered and expansive. Order prevails, on pain of death.
O’Flaherty, living and operating in his Father’s house, simply
tries to muddle through and live. Their methodologies are as opposed
as their beliefs.
My Father’s House
by Joseph O’Connor is published by Random House on the 26th
of January 2024.